by Olivier Fortin | Mar 3, 2022
Probably played by Bach and his sons in the friendly surroundings of the Café Zimmermann, the concerti for two harpsichords are both jubilant and learned works. Johann Sebastian Bach’s music is a testament to a fundamental synthesis in the Baroque period:...
by Olivier Fortin | Mar 3, 2022
The Grand Tour was a fashionable way for young 18th century aristocrats — mainly British — to broaden their minds. To travel across Europe and gain exposure to its wide ranging views, ideas, art and customs, was considered a finishing element of a proper education....
by Olivier Fortin | Mar 3, 2022
Many of Bach’s familiar works have had more than one incarnation, and his suite overtures are no exception. They were probably performed at the time as chamber works, with one musician per part. They are performed here in versions in which the second, third and...
by Olivier Fortin | Mar 3, 2022
Cantatas BWV 211 & 212 The first, written for the entertainment of customers at the famous Café Zimmermann, and the other, written for the birthday party of Carl Heinrich von Dieskau, Lord, landowner and tax collector near Leipzig — Bach’s “Coffee” and “Peasant”...
by Olivier Fortin | Mar 3, 2022
Four musicians from the Ensemble Masques plunge into the heart of the French Baroque in a programme featuring two of its unrivalled composers, François Couperin and Jean-Philippe Rameau. Masques presents two of Couperin’s famous Concerts Royaux, innovative works...
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